{"id":1133,"date":"2022-01-24T14:39:12","date_gmt":"2022-01-24T13:39:12","guid":{"rendered":"https:\/\/mazzolen.myhostpoint.ch\/?page_id=1133"},"modified":"2025-03-05T14:55:14","modified_gmt":"2025-03-05T13:55:14","slug":"esther-rietschin-zusammenarbeiten","status":"publish","type":"page","link":"https:\/\/ventnegru.ch\/de\/esther-rietschin-zusammenarbeiten\/","title":{"rendered":"Esther Rietschin Zusammenarbeiten"},"content":{"rendered":"

[vc_row css_animation=““ row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ angled_section=“no“ text_align=“left“ background_image_as_pattern=“without_pattern“][vc_column width=“1\/6″][\/vc_column][vc_column width=“2\/3″][vc_column_text]<\/p>\n

Esther Rietschin (1953*)<\/h1>\n

[\/vc_column_text][vc_empty_space height=“10px“][vc_column_text]<\/p>\n

Gesang, Alt-und Sopransaxophon, Akkordeon, Blockfl\u00f6ten, Piva, Okarina und Perkussion<\/h2>\n

[\/vc_column_text][vc_empty_space height=“80px“][\/vc_column][vc_column width=“1\/6″][\/vc_column][\/vc_row][vc_row css_animation=““ row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ angled_section=“no“ text_align=“left“ background_image_as_pattern=“without_pattern“][vc_column width=“1\/6″][\/vc_column][vc_column width=“2\/3″]

Esther hat zusammen gearbeitet mit:<\/div>[vc_empty_space height=“30px“][\/vc_column][vc_column width=“1\/6″][\/vc_column][\/vc_row][vc_row css_animation=““ row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ angled_section=“no“ text_align=“left“ background_image_as_pattern=“without_pattern“][vc_column width=“1\/6″][\/vc_column][vc_column width=“2\/3″]
B\u00fchnenmusik:<\/div>[vc_empty_space height=“10px“][vc_column_text]- Philippe Mentha f\u00fcr „Les Fourberies de Scapin“ von Moli\u00e8re (1983) und „Les Dialogues d’Exil\u00e9s“ von B. Brecht (1989) am Th\u00e9atre Kl\u00e9ber-M\u00e9leau, Lausanne<\/p>\n

– Th\u00e9\u00e2tre Kl\u00e9ber-M\u00e9leau, Lausanne f\u00fcr „Il Campiello“ von C. Goldoni, Regie Philippe Mentha (2000)[\/vc_column_text][vc_empty_space height=“30px“][\/vc_column][vc_column width=“1\/6″][\/vc_column][\/vc_row][vc_row css_animation=““ row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ angled_section=“no“ text_align=“left“ background_image_as_pattern=“without_pattern“][vc_column width=“1\/6″][\/vc_column][vc_column width=“2\/3″]

Theater-Musik-Choreographie:<\/div>[vc_empty_space height=“10px“][vc_column_text]- Compagnia Teatro Dimitri, Verscio: Richard Weber f\u00fcr „Boulevard du Temple“ (1983), Dimitri f\u00fcr „Il Drago Mangiafragole“ (1983) und „Ma non fate stupidate“ (1984), Hans Peter Fitzi f\u00fcr „Capitombola“ (1985), Basler Theater, basel sinfonietta (Dir. Jost Meier) und Dimitri f\u00fcr „L’Histoire du Soldat“ von Strawinski\/Ramuz\/Matter (1986)<\/p>\n

– Compagnia Teatro Paravento, Locarno: Miguel A. Cienfuegos f\u00fcr „Dan Auta“ (1990) und „Il Compleanno della Signora“ (1991), Alessandro Marchetti f\u00fcr „La Compagnia Cavalier Rivalta prova: Arlecchino, Servitore di due Padroni“ von C. Goldoni (1992)[\/vc_column_text][vc_empty_space height=“30px“][\/vc_column][vc_column width=“1\/6″][\/vc_column][\/vc_row][vc_row css_animation=““ row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ angled_section=“no“ text_align=“left“ background_image_as_pattern=“without_pattern“][vc_column width=“1\/6″][\/vc_column][vc_column width=“2\/3″]

Choreographie:<\/div>[vc_empty_space height=“10px“][vc_column_text]- Ursina Gregori und Markus Zohner f\u00fcr „Palpitation“ (1987), Regie: Alessandro Marchetti[\/vc_column_text][vc_empty_space height=“30px“][\/vc_column][vc_column width=“1\/6″][\/vc_column][\/vc_row][vc_row css_animation=““ row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ angled_section=“no“ text_align=“left“ background_image_as_pattern=“without_pattern“][vc_column width=“1\/6″][\/vc_column][vc_column width=“2\/3″]
Akrobatik-Choreographie:<\/div>[vc_empty_space height=“10px“][vc_column_text]- Dieter L\u00f6bach f\u00fcr „Die gel\u00e4hmte Akrobatin“ in „M\u00e9lodies du Malheur“ von Jer\u00f4me Savary (1987), Stadttheather Aachen (D)[\/vc_column_text][vc_empty_space height=“30px“][\/vc_column][vc_column width=“1\/6″][\/vc_column][\/vc_row][vc_row css_animation=““ row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ angled_section=“no“ text_align=“left“ background_image_as_pattern=“without_pattern“][vc_column width=“1\/6″][\/vc_column][vc_column width=“2\/3″]
Bewegung-Choreographie:<\/div>[vc_empty_space height=“10px“][vc_column_text]- Andreas Prohaska f\u00fcr „Die Hamletmaschine“ von Heiner M\u00fcller mit der Musik von Wolfgang Rihm (1987), Freiburger Theater (D)[\/vc_column_text][vc_empty_space height=“30px“][\/vc_column][vc_column width=“1\/6″][\/vc_column][\/vc_row][vc_row css_animation=““ row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ angled_section=“no“ text_align=“left“ background_image_as_pattern=“without_pattern“][vc_column width=“1\/6″][\/vc_column][vc_column width=“2\/3″]
Pantomime-Choreographie:<\/div>[vc_empty_space height=“10px“][vc_column_text]- Peter Stolzenberg f\u00fcr „Biste f\u00fcr, biste gegen…? Zu Lebzeiten Friedrich Eberts“ (1989), Theater der Stadt Heidelberg (D)[\/vc_column_text][vc_empty_space height=“30px“][\/vc_column][vc_column width=“1\/6″][\/vc_column][\/vc_row][vc_row css_animation=““ row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ angled_section=“no“ text_align=“left“ background_image_as_pattern=“without_pattern“][vc_column width=“1\/6″][\/vc_column][vc_column width=“2\/3″]
Musik:<\/div>[vc_empty_space height=“10px“][vc_column_text]- RSI Lugano f\u00fcr die Produktion der CD „Eternit\u00e0 d’Am\u00fbr“, von Vent Negru vertonte Gedichte von Fernando Grignola (2004) und die Co- Produktion der CD „Viaggio a Betlemme“ (2008)<\/p>\n

– Stimm-Quartett \u201cLa Cantora\u201d mit Elena Fantoni, Mauro Garbani und Maria Grazia Tognetti (2013 – 2020)<\/p>\n

– Verein „Amici di Berzona<\/a>“ betreffend Wertsch\u00e4tzung und Nutzung der restaurierten Orgel von Carlo Bianchini in der Kirche von S. Rocco und Defendente, Berzona (ab 2023)[\/vc_column_text][vc_empty_space height=“30px“][\/vc_column][vc_column width=“1\/6″][\/vc_column][\/vc_row][vc_row css_animation=““ row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ angled_section=“no“ text_align=“left“ background_image_as_pattern=“without_pattern“][vc_column width=“1\/6″][\/vc_column][vc_column width=“2\/3″][vc_empty_space height=“100px“][\/vc_column][vc_column width=“1\/6″][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row css_animation=““ row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ angled_section=“no“ text_align=“left“ background_image_as_pattern=“without_pattern“][vc_column width=“1\/6″][\/vc_column][vc_column width=“2\/3″][vc_column_text] Esther Rietschin (1953*) [\/vc_column_text][vc_empty_space height=“10px“][vc_column_text] Gesang, Alt-und Sopransaxophon, Akkordeon, Blockfl\u00f6ten, Piva, Okarina und Perkussion [\/vc_column_text][vc_empty_space height=“80px“][\/vc_column][vc_column width=“1\/6″][\/vc_column][\/vc_row][vc_row css_animation=““ row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ angled_section=“no“ text_align=“left“ background_image_as_pattern=“without_pattern“][vc_column width=“1\/6″][\/vc_column][vc_column width=“2\/3″][vc_empty_space height=“30px“][\/vc_column][vc_column width=“1\/6″][\/vc_column][\/vc_row][vc_row css_animation=““ row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ angled_section=“no“ text_align=“left“ background_image_as_pattern=“without_pattern“][vc_column…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full_width.php","meta":{"footnotes":""},"class_list":["post-1133","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ventnegru.ch\/de\/wp-json\/wp\/v2\/pages\/1133","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ventnegru.ch\/de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ventnegru.ch\/de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ventnegru.ch\/de\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ventnegru.ch\/de\/wp-json\/wp\/v2\/comments?post=1133"}],"version-history":[{"count":6,"href":"https:\/\/ventnegru.ch\/de\/wp-json\/wp\/v2\/pages\/1133\/revisions"}],"predecessor-version":[{"id":2900,"href":"https:\/\/ventnegru.ch\/de\/wp-json\/wp\/v2\/pages\/1133\/revisions\/2900"}],"wp:attachment":[{"href":"https:\/\/ventnegru.ch\/de\/wp-json\/wp\/v2\/media?parent=1133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}