{"id":1127,"date":"2022-01-24T14:14:15","date_gmt":"2022-01-24T13:14:15","guid":{"rendered":"https:\/\/mazzolen.myhostpoint.ch\/?page_id=1127"},"modified":"2025-03-05T14:56:00","modified_gmt":"2025-03-05T13:56:00","slug":"mauro-garbani-collaborazioni","status":"publish","type":"page","link":"https:\/\/ventnegru.ch\/de\/mauro-garbani-collaborazioni\/","title":{"rendered":"Mauro Garbani zusammengearbeitet"},"content":{"rendered":"

[vc_row css_animation=““ row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ angled_section=“no“ text_align=“left“ background_image_as_pattern=“without_pattern“][vc_column width=“1\/6″][\/vc_column][vc_column width=“2\/3″][vc_column_text]<\/p>\n

Mauro Garbani (1959*)<\/h1>\n

[\/vc_column_text][vc_empty_space height=“10px“][vc_column_text]<\/p>\n

Gesang, Organetto (diatonisches Akkordeon), Gitarre, Piva (Tessiner Dudelsack) und Okarina (Tonfl\u00f6te)<\/h2>\n

[\/vc_column_text][vc_empty_space height=“80px“][\/vc_column][vc_column width=“1\/6″][\/vc_column][\/vc_row][vc_row css_animation=““ row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ angled_section=“no“ text_align=“left“ background_image_as_pattern=“without_pattern“][vc_column width=“1\/6″][\/vc_column][vc_column width=“2\/3″]

Mauro hat zusammengearbeitet mit:<\/div>[vc_empty_space height=“30px“][\/vc_column][vc_column width=“1\/6″][\/vc_column][\/vc_row][vc_row css_animation=““ row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ angled_section=“no“ text_align=“left“ background_image_as_pattern=“without_pattern“][vc_column width=“1\/6″][\/vc_column][vc_column width=“2\/3″]
Schreinerei, B\u00fchnenbild,Technik:<\/div>[vc_empty_space height=“10px“][vc_column_text]- Teatro della Svizzera Italiana (1983): Peter Bissegger und Mario Bissegger f\u00fcr „Omobono e gli Incendiari“ von Max Frisch[\/vc_column_text][vc_empty_space height=“30px“][\/vc_column][vc_column width=“1\/6″][\/vc_column][\/vc_row][vc_row css_animation=““ row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ angled_section=“no“ text_align=“left“ background_image_as_pattern=“without_pattern“][vc_column width=“1\/6″][\/vc_column][vc_column width=“2\/3″]
Musik (Gruppen, Konzerte, Tourn\u00e9es, Aufnahmen, Radio-und TV-Auftritte):<\/div>[vc_empty_space height=“10px“][vc_column_text]- Mea d’Ora (1983-1991): Ilario Garbani-Marcantini, Barbara Bollin, Patrizio Colto, Rolando Gr\u00fctter, Gabriele Martini<\/p>\n

– Lyonesse (1983-1984) Musik aus Frankreich, Quebec und Louisiana: Mireille Ben, Lili Ben und Pietro Bianchi<\/p>\n

– Scuola di Musica Popolare dell‘ ACP (Ass. Cultura Pop. V. Verzasca) (1990-1996)<\/p>\n

– Coro Femmminile di Maggia (1989-2013)<\/p>\n

– Kunstmaler Giancarlo Bisi f\u00fcr „Quasi come se…“ (1996)<\/p>\n

– RSI Lugano f\u00fcr die Produktion der CD „Eternit\u00e0 d’Am\u00fbr“, von Vent Negru vertonte Gedichte von Fernando Grignola (2004) und f\u00fcr die Co-Produktion der CD „Viaggio a Betlemme“ (2008)<\/p>\n

– Vincenzo Caglioti im Duo „Ghamdan\u00e0“ (seit 1993)<\/p>\n

– Giordano Bisi-Giottonini im Duo „Aria Fina“ (seit 2014)<\/p>\n

– Marco Zappa, Renata Stavrakakis und Ginger Poggi f\u00fcr „Al temp al passa“ (2011-2012)<\/p>\n

– Quartetto vocale \u201cLa Cantora\u201d mit Elena Fantoni, Esther Rietschin und Maria Grazia Tognetti (2013-2020)<\/p>\n

– Paolo Tomamichel, Sandra Eberle und Peo Mazza f\u00fcr „Bandastral\u00fcsc“ (2018 – 2020)<\/p>\n

– Und u.a. mit Dargo Raimondi, Giulio Venier, Roberto Maggini, Giordano Morettini e Stefano Fedele (Duo di Morcote), Mo. Giovanni Galfetti, Stefan Fr\u00fch, Ivo Maggetti …<\/p>\n

– Haus der Volksmusik Altdorf f\u00fcr die Kurse „Volksmusik aus Italien & dem Tessin“ (ab 2018)<\/p>\n

– HSLU Luzern Hochschulzentrum f\u00fcr die Kurse „Tessiner Musik“ (ab 2023)<\/p>\n

– Verein „Amici di Berzona<\/a>“ betreffend Wertsch\u00e4tzung und Nutzung der restaurierten Orgel von Carlo Bianchini in der Kirche von S. Rocco und Defendente, Berzona (ab 2023)<\/p>\n

– RSI Rete Due und Christian Gilardi f\u00fcr die zweiteilige Sendung \u00fcber Tessiner Volksmusik „Musica dal Ticino…e dintorni“ in der Reihe „Grand Bazaar<\/a>“ (2023)[\/vc_column_text][vc_empty_space height=“30px“][\/vc_column][vc_column width=“1\/6″][\/vc_column][\/vc_row][vc_row css_animation=““ row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ angled_section=“no“ text_align=“left“ background_image_as_pattern=“without_pattern“][vc_column width=“1\/6″][\/vc_column][vc_column width=“2\/3″]

Theater, Schauspiel, Musik:<\/div>[vc_empty_space height=“10px“][vc_column_text]- Compagnia Teatro Paravento, Locarno (1990-1994) f\u00fcr „Dan Auta“, „Il Compleanno della Signora“ von Miguel Angel Cienfuegos, „La Compagnia Cavalier Rivalta prova Arlecchino, servitore di due padroni“ (C. Goldoni), Regie: Alessandro Marchetti<\/p>\n

– Th\u00e9\u00e2tre Kl\u00e9ber-M\u00e9leau, Lausanne f\u00fcr „Il Campiello“ von C. Goldoni, Regie Philippe Mentha (2000)<\/p>\n

– Marino Cattaneo f\u00fcr das Theaterst\u00fcck f\u00fcr einen Geschichtens\u00e4nger „Tortoglio, il Paese scomparso del Malcantone“ frei nach der gleichnamigen Erz\u00e4hlung von Marino Cattaneo (patrocinato dalla Regione Malcantone – prog. Interreg.3A – Citt\u00e0 del Castagno, 2003)<\/p>\n

– Teatro dei Fauni Locarno f\u00fcr „Antenati con le radici“ (2019)[\/vc_column_text][vc_empty_space height=“30px“][\/vc_column][vc_column width=“1\/6″][\/vc_column][\/vc_row][vc_row css_animation=““ row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ angled_section=“no“ text_align=“left“ background_image_as_pattern=“without_pattern“][vc_column width=“1\/6″][\/vc_column][vc_column width=“2\/3″]

Kompositionen B\u00fchnenmusik:<\/div>[vc_empty_space height=“10px“][vc_column_text]- Compagnia Teatro Paravento, Locarno f\u00fcr die Theaterst\u00fccke „Arlecchino vien dal Mare“ (2000), „Juan Dari\u00e8n“ (2003) und „Michele e il Cerchio di Gesso“ frei nach Li-Hing Tao und B. Brecht (2007)[\/vc_column_text][vc_empty_space height=“30px“][\/vc_column][vc_column width=“1\/6″][\/vc_column][\/vc_row][vc_row css_animation=““ row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ angled_section=“no“ text_align=“left“ background_image_as_pattern=“without_pattern“][vc_column width=“1\/6″][\/vc_column][vc_column width=“2\/3″]
Beratung B\u00fchnenmusik:<\/div>[vc_empty_space height=“10px“][vc_column_text]- Compagnia Teatro Paravento f\u00fcr „Ruzante – dietro front“ (2004).
\n– Compagnia Nicole & Martin, Losone f\u00fcr „La fanciulla senza mani“ (2011), „Gian di Ferro“ (2015) und „Vasilissa“ (2021)[\/vc_column_text][vc_empty_space height=“30px“][\/vc_column][vc_column width=“1\/6″][\/vc_column][\/vc_row][vc_row css_animation=““ row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ angled_section=“no“ text_align=“left“ background_image_as_pattern=“without_pattern“][vc_column width=“1\/6″][\/vc_column][vc_column width=“2\/3″][vc_empty_space height=“100px“][\/vc_column][vc_column width=“1\/6″][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row css_animation=““ row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ angled_section=“no“ text_align=“left“ background_image_as_pattern=“without_pattern“][vc_column width=“1\/6″][\/vc_column][vc_column width=“2\/3″][vc_column_text] Mauro Garbani (1959*) [\/vc_column_text][vc_empty_space height=“10px“][vc_column_text] Gesang, Organetto (diatonisches Akkordeon), Gitarre, Piva (Tessiner Dudelsack) und Okarina (Tonfl\u00f6te) [\/vc_column_text][vc_empty_space height=“80px“][\/vc_column][vc_column width=“1\/6″][\/vc_column][\/vc_row][vc_row css_animation=““ row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ angled_section=“no“ text_align=“left“ background_image_as_pattern=“without_pattern“][vc_column width=“1\/6″][\/vc_column][vc_column width=“2\/3″][vc_empty_space height=“30px“][\/vc_column][vc_column width=“1\/6″][\/vc_column][\/vc_row][vc_row css_animation=““ row_type=“row“ use_row_as_full_screen_section=“no“ type=“full_width“ angled_section=“no“…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full_width.php","meta":{"footnotes":""},"class_list":["post-1127","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ventnegru.ch\/de\/wp-json\/wp\/v2\/pages\/1127","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ventnegru.ch\/de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ventnegru.ch\/de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ventnegru.ch\/de\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ventnegru.ch\/de\/wp-json\/wp\/v2\/comments?post=1127"}],"version-history":[{"count":7,"href":"https:\/\/ventnegru.ch\/de\/wp-json\/wp\/v2\/pages\/1127\/revisions"}],"predecessor-version":[{"id":2901,"href":"https:\/\/ventnegru.ch\/de\/wp-json\/wp\/v2\/pages\/1127\/revisions\/2901"}],"wp:attachment":[{"href":"https:\/\/ventnegru.ch\/de\/wp-json\/wp\/v2\/media?parent=1127"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}